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Once more the sun had disappeared behind the mountains, and as darkness grew Mīka´pi came down from where he had been hiding and carefully approached the camp. Now was a time of danger. Now watchers might be hidden anywhere, looking for the approach of enemies, ready to raise a cry to warn the camp. Each bush or clump of rye grass or willow thicket might hide an enemy. Very slowly, looking and listening, Mīka´pi crept around the outskirts of the camp. He made no noise, he did not show himself. Presently he heard some one clear his throat and then a cough, and a little bush moved. Here was a watcher. Could he kill him and get away? He sat and waited to see what would happen, for he knew where his enemy was, but the enemy knew nothing of him. The great moon rose over the eastern prairie and climbed high and began to travel across the sky. Seven Persons swung around and pointed downward. It was about the middle of the night. At length the person in the bush grew tired of watching; he thought no enemy could be near and he rose and stretched out his arms and yawned, but even as he stood an arrow pierced him through, beneath the arms. He gave a loud cry and tried to run, but another arrow struck him, and he fell.,

The song seemed to come from a big cotton-wood tree near the trail leading down to the water. As she looked closely at this tree she saw a queer stone jammed in a fork where the tree was split, and with it a few hairs from a buffalo which had rubbed against the tree. The woman was frightened and dared not pass the tree. Soon the singing stopped and the I-nĭs´kĭm said to the woman, "Take me to your lodge, and when it is dark call in the people and teach them the song you have just heard. Pray, too, that you may not starve, and that the buffalo may come back. Do this, and when day comes your hearts will be glad.",

It is over; the curtain is down; the charming transformation-scene has reached its end, and the fairy-queen doffing her radiant robes, descends once more to the level of a paltry mortal.,

"Oh, may I niver agin see the light," cries this excitable damsel, rushing out to Mona, "if I iver hoped to lay eyes on yer face again! Where were ye at all, darlin'? An' I breakin' me heart wid fear for ye. Did ye know Tim Ryan was out to-night? When I heerd tell of that from that boy of the Cantys', I thought I'd have dhropped. 'Tis no good he's up to. Come in, asthore: you must be near kilt with the cowld."

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"And see what we gained by our haste," says Dorothy, smiling at Mona. "You can't think what a charming sight it was. Like an old legend or a fairy-tale. Was it a minuet you were dancing?",

Mona, in spite of her haste, stoops to pluck a bunch of violets and place them in her breast, as she goes upon her way. Up to this the beauty of the early spring day has drawn her out of herself, and compelled her to forget her errand. But as she comes near to the place appointed for the interview, a strange repugnance to go forward and face Paul Rodney makes her steps slower and her eyes heavy. And even as she comprehends how strongly she shrinks from the meeting with him, she looks up and sees the chestnut-tree in front of her, and the stream rushing merrily to the ocean, and Paul Rodney standing in his favorite attitude with his arms folded and his sombre eyes fixed eagerly upon her.,

"You err, nevertheless, on the side of mercy, if you err at all; and—perhaps there may be no other crimes. He may have had his lesson this evening,—a lasting one. To-morrow I shall go to his cabin, and——",

He finishes; but, to his amazement, and a good deal to his chagrin, on looking at Mona he finds she is wreathed in smiles,—nay, is in fact convulsed with silent laughter.